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Submitted
for your perusal, from the creator of The Twilight Zone Archives,
comes a visually stunning backstage glimpse through time and space,
into the history and making of Rod Serling's classic television
series, the Twilight Zone. In DIMENSIONS BEHIND the TWILIGHT
ZONE, you're invited to explore a portion of the archives
collection, with over 350 original behind-the-scenes production
photographs shot during the filming of the show. Accompanied by
insightful captions, rare documents, and alumni interviews with
producers, directors, writers, and actors who worked on the series.
Also featured are candid interviews Carol Serling, brother and writer
Robert Serling, . Plus, appreciations from several creative Hollywood
personalities, and five informative and analytical chapters by the
author.
Whether
you're a longtime Twilight Zone fan, or just now discovering the
magic of the fifth dimension, take part in this trip back in time
as you uncover the sound, sight, and mind of
DIMENSIONS
BEHIND the TWILIGHT ZONE.
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This
long awaited coffee-table book features a foreword by writer Neil
Gaiman, an extensive main section of production photos and interviews
conducted soley by the author, plus author chapters REALM OF ROD
SERLING, TEAM OF WIZARDS, THEMES OF THE ZONE, COMIC RELIEF, and
BEYOND DIMENSIONS. The appreciation essay section includes a piece
by TZ writer George Clayton Johnson and several of today's Hollywood
creators.
Carol Serling has offered her endorsement for DIMENSIONS BEHIND
the TWILIGHT ZONE. She comments, "A worthy addition
to Twilight Zone lore. The arrival of this treasure trove
of "lost" photographs and interviews with the Zone
inhabitants is therefore a stupendous event".
Also on board, endorsements by Marc Scott Zicree and others. PLUS
MUCH MORE!.
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A
few comments from DBTZ author Stewart
T Stanyard (tzoneman)
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After
almost 7 years of working on this book, it's nice to finally see
it in stores! The reviews are ALL 5 stars, and Zicree, of The
Twilight Zone Companion, even refers to Dimensions Behind
the Twilight Zone as "the companion to the companion!"
TRUST ME - YOU WON'T BE DISAPOINTED!
(a
notation) This book had seen a few developmental phases - the
original concept was first idealized as a basic picture book, featuring
full-page behind-the-scenes photos with captions. It then moved
toward a mix of photos at full, half, and quarter page sizes, alongside
alumni interview materials. Until finally, evolving into the fuller
book that it became - printed on high quality paper with over 350
behind-the-scenes photos and documents, material from 39 alumni
interviews (details below), 12 appreciation essays from Hollywood
personalities, 5 informative and analytical chapters by the author,
a wonderful foreword by writer Neil Gaiman, and back cover endorsements
that act as cherries on top!
All
in all, I am very pleased. I think it turned out well, and I hope
you enjoy it! - tzonemann
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QUESTION
and ANSWERS about Dimensions
Behind the Twilight Zone:
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| The
earlier interviews in the book are longer than the last few -why is
that? |
| The
majority of the alumni interviews were conducted by phone, by myself,
between 1999 and 2006
(30 interviews; including 3
mailer
questionaires, and 4
of the shorter edited ones).
The few remaining shorter interviews are made up of transcript excerpts
from 9 video interviews conducted in collaboration with Goal Productions.
They are shorter because we could only fit so much into this book
and they needed to be edited down for length. The phone interviews
are considered the more meatier ones, so they took precedence (these
were also edited down for length). |
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| Why
is the book a paperback and not hardbound? |
| We
decided to publish it as a paperback to make it more affordable to
readers. |
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| Why
does some of the information in the 5 author chapters cover some of
the same historical events previous covered in The Twilight Zone Companion? |
| Since
this is more of a coffee-table book, this gave me the liberty to go
over some of the basic history for those who don't know it. |
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| Some
of the photos have handwritten markings on them, like "NY"
and "LA" - what are they? |
| Since
the photos are from a collection of ORIGINAL contact-sheet production
photos, some of them were marked up this way, for
promoting the show in the different regional newspapers and TV Guides,
and were marked up to call-out which shots would be
used in which areas - New York, Los Angeles, etc. |
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| Why
is it that the captions don't give credits for some of the crew in
the shots? |
| The
show is nearly 50 years old and many of these people have passed on.
I tried doing some research, but it was nearly impossible to find
anyone alive who remembers who the crew is in the shots. I truly wish
I could have had credits for the crew, but it was a near impossible
task, and we were stretched for time. Full crew credits can be found
online at the Internet
Movie Database. |
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| Is
there anything that didn't make it into the book? Or anything you
would have done differently? |
| Well,
a lot did make it into the book, more than was originally
planned. Even though the book was always planned to be in black and
white, a center color section was once considered, to show off the
documents in full color. We later decided that the documents should
flow throughout the book and not just in the center, and because of
this, the color section was scrapped. There were also some appreciation
essay candidates that just didn't have the time to contribute an essay;
Clive Barker, Wes Craven and Arlen Schumer (author of Visions From
The Twilight Zone). I wish they had had the time, because it would
have been great to have them participate. But as far as the Appreciation
Essay section turned out, the dozen personalities who did contribute
came through in flying colors! |
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| How
did you ever get writer Neil Gaiman to write your foreword? |
| Simple
- I asked Neil if he'd be interested to write the foreword and he
said, "I would be honored." And what a foreword it is! |
| ... |
| Why
is it that Jack Klugman's endorsement for your book is on the TZA
website and not on the back cover with the rest of the endorsements?
And why didn't you interview him for the book? |
| It
was simply a timing issue. By the time he had read through the galley
pages and came up with his blurb, the cover had already been printed.
Jack felt really sorry that he didn't meet the deadline, but gave
us permission to use his blurb however we sit fit. As far as Jack
not being interviewed in the book, I tried desperately to get through
to him during the interviewing period, but he was on the road doing
a play, and wasn't readily available. |
| ... |
| Did
anyone go miscredited/uncredited in the book? |
| For
some reason we didn't catch the misspelling of actor Barry Morse -
in his comment in the book, we spell it correctly, but in the acknowledgements
page, its spelled wrong. Sorry Barry. Also, along with Tony Albarella's
photo credits, there should have been another credit for his comments
of Elliot Silverstein and James Sheldon. The comments came from Albarella's
Twilight Zone panel discussion, which he views as public domain
and therefore didn't need crediting; please consider this as
the acknowledgement for those few comments, thanks). Also, on page
59, the caption for the third photo should be Orson Bean and Charles
Lane (not Henry Jones - whoops). Lastly,
the photo credits page credited the author bio photo to photographer
Jim Johnson, but when the printer credit was added at the last minute,
Johnson's credit line was somehow cut. Sorry Jim. Again, if/when the
book goes to a second printing, you will be duly credited. |
| ... |
| Now
that you've finished the book, what's next? |
| Ha!
I'm going to Disneyland! I'm going to find a way to hide out in the
Haunted Mansion, and figure out how they do all that stuff! ;) Actually,
I'm currently working on a Twilight Zone-ish novel. |
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The
scripts will appear in their original format and will not be typeset or
altered in any way. In many cases this includes Rods handwritten
changes or notations. The Ithaca material also includes some revisions
and earlier script drafts that differ, to varying degrees, from the final
shooting scripts. Well include these variant details where appropriate
to document the creative process and track the evolution of the stories.
A
commentary will accompany each rare script; in many cases this will include
interview material with cast and crew and select comments from Serling
himself. In addition, many of Rods friends and colleagues will pay
tribute to the man and his work. Included will be appreciations from contemporaries
that worked with Serling as well as current talents that were inspired
by him. Participating in Volume One will be Richard Matheson and Rockne
S. O'Bannon (creator of the television series' Alien Nation, Sea Quest
DSV, and Farscape).
Preparation
for this ambitious collection began in early 2002. Since then, scores
of exclusive interviews have been conducted and the gathering of unique
material is an on-going process. A few surprises will be offered along
the way, including examples of Serlings personal correspondence,
vintage communications from CBS, rare production photos and much more.
Rod
Serling was a true visionary - one of the pioneers of early television
- and The Twilight Zone showcased some of his finest creations. AS TIMELESS
AS INFINITY will present these ageless tales in a tribute worthy of Serlings
legacy.
The
list of scripts that appear in Volume One are as follows:
1)
The Time Element. This hour-long was not an official Twilight Zone, but
the widely accepted unofficial plot. It was a Desilu Playhouse production
from 1958 about time travel. It got surprisingly good ratings and that's
what encouraged CBS to consider Serling's "sci-fi/fantasy" proposal.
This show is seldom seen and has never been offered in print in any form.
2) Where is Everybody? (the official pilot)
3) Eye of the Beholder
4) Third from the Sun
5) The Purple Testament
6) The Big, Tall Wish
7) A Most Unusual Camera. Two versions of this script are included with
the book -- one that is the "final shooting script" and one
that is a complete, alternate version that varies from the other in several
respects.
8) The Mind and the Matter
9) The Dummy
Volume
One is 488 pages in length. For only those ordering through Gauntlet Press,
you receive a free chapbook entitled Eye of the Beholder. It contains
three variations of one of the scenes from this classic Twilight Zone
tale. These altered scenes are not included in the book, and appear only
in the chapbook.
750-copy
numbered edition (signed by Carol Serling) Cover price is $66 plus p&h
$60 for those ordering through Gauntlet plus p&h
Please note: Because this is a multi-volume set, if you pre-order this
title you can request the same letter for each volume in the series. Just
type the top three letter choices (in order of preference) that you would
like into the "Comments" section of our online order form. If
the letter you choose has already been picked by another customer, we
will inform you through email (already taken are letters A-F).
You
may also request the same letter for our upcoming multi-volume publication
THE TWILIGHT ZONE SCRIPTS OF CHARLES BEAUMONT, VOLUME ONE -- that way
you can have the same letter for all volumes in both collections. Again,
just mention this in the "Comments" section of your order form.
52-copy
traycased lettered edition (signed by Carol Serling, Richard Matheson,
and Rockne S. O'Bannon).Only the lettered edition will contain an alternate
version to Where Is Everybody?
$200 + p&h
CLICK
HERE TO ORDER FROM GAUNTLET PRESS
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